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Commentary
The British tour used all
the London costumes and sets except the
stage. A smaller chessboard stage
which lifted on hydraulics from the rear
only was substituted. The vidiwall which
came down from the flies had fewer screens
and the side ones were gone. At the
director's request, Rice wrote some
additional material and the opening written
for
Sydney was used, which introduced all the
characters. Florence was Czech, the Cold War
was over and the Broadway lyrics
used for "US vs USSR." Post-Cold War
dialogue from Sydney was inserted as
needed.
The director and choreographer chose to
eliminate dances from the numbers which had
had them in London ("The Arbiter's Song"
and the "Golden Ballet"), and interpolated
modern dance numbers behind the chess
matches with dancers in splotchy grey
unitards with hoods, which did not blend
well with the more traditional costumes done
in rich fabrics by Theoni Aldredge.
These dancers also executed a pas de
deux during the Mountain Duet which
was somewhat distracting. Otherwise, the
script followed the London production pretty
faithfully, adding "The Argument" from the
Concept album, thus it was staged
for the first time. Instead of "Anthem," the
show ended with Florence singing "Nobody's
Side," not an appropriate song for the story
at that point.
Generally, the show was nearly as
effective as in London, although
"Endgame" didn't have the same punch
without the stage.
Rebecca Storm, a respected Irish actress
which audiences knew from her tour in
Blood Brothers and her record
album,
Broadway by Storm, was an
excellent Florence, but the rest of the
company was of lesser quality. The tour
lasted
several years and was revived for
another year five or six years later.


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